Starting off this set, the first track of Vol. 1 is my man John Rimmer, carrying the electroacoustic torch on his 'Composition 2 for Wind Quintet and Electronic Sounds'. When the first quardle oodle ardle wardle doodle barges in from the antique analogues, the cleverly clunky clash belies an eventual merging, which becomes so subtle that I'm sure even the players aren't sure who's making which sound.
David Farquhar is so restlessly inventive, and relentlessly inviting. He skims along the outer guard, never fully abandoning tunefulness. From the liner notes: "Although he does not appear to have been involved to a great extent with electronic music, ... David Farquhar [is] the most versatile of the composers represented on this record..." Here he experiments with a bit of extended technique on the 'Three Pieces' on Vol. 1, and has written new settings of traditional Scots ballads for voice and piano on Vol. 2 (see below, "Lilburn").
Jack Body's 'Turtle Time' is a dramatic, breathless, electroacoustic freak-o-delic mindblower.
'Capriccio for Four Saxophones' by Robert Burch carries a bit of the spirit of New York's Lounge Lizards in parts, and reminds us -- no matter that this is a contemporary classical work -- the history of Jazz is inseparable from the tuning, timbre and physical structure of the saxophone.
Lilburn. My enjoyment of much classical music stalls when it comes to vocal works involving the mannered, affected, clenched-throated warbling of classically trained -- usually male -- soloists. Listening head-tilted, trying hard, with a forced grin, to Lilburn's settings of three poems by JK Baxter, RAK Mason, and Ursula Bethell, my philistine ears can at least hold on to some exciting string-work. Mercifully, on Vol. 2, piano-champ Margaret Nielsen plays on both the extraordinary and deservedly recognisable Sonata for Violin and Piano, and the equally gorgeous Sonatina 2 for Piano.
These links are for the enjoyment and preservation of discontinued music. Whenever possible, links will be added to buy hard copies. If I discover that these works are available legitimately in any format, I will remove the links. These works are all long out of print, and hopefully the continued trading of these inferior digital formats will encourage their re-pressing, rather than suppressing.
If you like these artists, support them! It was hard for many of them to make a living long before their albums were available for free downloads. Find out what they are doing now, buy what they have available, and go see their shows. Tell your friends about them too.
Artists, labels and copyright owners, please contact me to have any of these removed. My main interest in posting these albums is digging up forgotten gems and promoting them. I hope that by sharing, enough interest will be aroused that official releases will be forthcoming. And re-issue labels, please press lovely new 180gm vinyl versions, with heavy cardboard sleeves, for all of them.
Looking for rare, out of print New Zealand-ish psych, electroacoustic, garage, rock/pop, experimental, electronic, avant-garde...
Contributions welcome -- out of print only! -- as are comments.